7 January 2021
Aleftina Konstantinova, Boris Yukhananov, Vladimir Korenev, Irina Koreneva.
Photo by Vladimir Mayorov
Photo by Vladimir Mayorov
Boris Yukhananov, Artistic Director of the Stanislavsky Electrotheatre, on People's Artist Vladimir Korenev.
2 January 2021
Photo by Andrei Bezukladnikov
Boris Yukhananov, in Memory of Vladimir Korenev.
27 November 2020
The opera premiered at the Holland Festival, 2017.
Photo by Andrei Bezukladnikov
Photo by Andrei Bezukladnikov
If you have not yet seen Boris Yukhananov and Dmitri Kourliandski's opera Octavia. Trepanation, you will have that opportunity on November 28. Staged in 2017, and having toured various countries, it will be shown at the Interferences International Festival.
21 November 2020
No sooner did we hear the news about the nominations for the Golden Mask, than we learned that Boris Yukhananov has been awarded the Grand Prix of the Moscow Art Prize.
20 November 2020
Pinocchio. Photo by Olympia Orlova
Pinocchio. Theatre, Octavia. Trepanation and Book of Seraphim.
14 October 2020
MIR-6 was convened in 2019 Photo by Karolina Grigorenko-Kozinskaya
Session Three of the sixth set of the Studio of Individual Directing (MIR) will take place from October 7 to October 21, 2020. Boris Yukhananov and students are working on the MIRRIM project.
20 September 2020
Cottbus Staatstheater. Photo by Irina Tokareva
Work has begun in Germany on Boris Yukhananov's Catabasis. Demons project, a joint project of the Stanislavsky Electrotheatre and the Cottbus Staatstheater, within the framework of the Lausitz Festival. It is based on Fyodor Dostoevsky's novel, The Demons.
24 August 2020
The Cosmoscow international contemporary art fair runs in Moscow from September 10 to 13, 2020. The H.L.A.M Gallery stand at the fair will present an installation titled Boris Yukhananov's Suitcases, which will include Yukhananov's Catabasis. Demons series of 86 graphics hidden in suitcases with specially created stickers. The stickers also contain elements of the Catabasis. Demons graphics.
19 June 2020
Photo by Andrei Bezukladnikov
In this article, published in Vestnik Evropy (Messenger of Europe) magazine, Vadim Rutkovsky reviews a large swath of Boris Yukhananov’s work, from the 1970s in Voronezh to his latest premieres in Moscow.
9 June 2020
Critic, translator and Supervisor of English at the Stanislavsky Electrotheatre, John Freedman, in conversation with Noah Birksted-Breen (University of Oxford) on how the Stanislavsky Electrotheatre became one of the most influential theatres in Europe. Recorded 6 May 2020 for The Theatre Times International Online Theatre Festival.
RECENT ENTRIES
A Bird of HappinessIn Memory of Vladimir KorenevPerformance of the opera Octavia. Trepanation at the Interferences FestivalOctavia. Trepanation wins the Grand Prix of the Moscow Art PrizeThe shortlist for the Golden Mask awards has been announced. The Stanislavsky Electrotheatre has received 22 nominationsSession Three of MIR-6 BeginsCatabasis. Demons in GermanyBoris Yukhananov's Suitcases, an installation at CosmoscowCritic Vadim Rutkovsky on the Theatre of Boris YukhananovJohn Freedman and Noah Birksted-Breen on Stanislavsky Electrotheatre