NOW

If there were a backstage in performances of The Golden Ass, we would call this series of photos by Luchinel Ainuriel Backstage at The Golden Ass. But the whole point of the Open-circuited Workspace is that it is open, which blurs such boundaries as “backstage.” Here you will find photographs of compositions, modules, discussions, actors and, of course, "consumer contributors,” that is, spectators.

Boris Yukhananov is not only a director, but also a theatre theorist. He lectures regularly at various venues in Moscow and other cities. In his talks, Yukhananov touches upon his own strategies for creativity, on real-life problems in the making of theatre, and on general theoretical and methodological questions of art. Several lectures are now published in the archive in dual versions: video for those who like to watch; text transcriptions for those who prefer to read.

The public presentation of Boris Yukhananov’s website and the book Boris Yukhananov. From Theatre-Theatre to Garden took place on November 17 in the foyer of the Stanislavsky Electrotheatre.

Klim Kozinsky and Leda Timofeeva speak on the eve of the presentation of the Archiving the Future project. Video.

A series of events will be held from November 17 to 19 in the foyer of the Stanislavsky Electrotheatre in connection with Boris Yukhananov’s Archiving the Future project.

Fading Apocalypse, a new exhibit at the Stanislavsky Electrotheatre, will run from November 11 to 30 as part of the NET Festival. This project by Boris Yukhananov and Yelena Koptyaeva is a three-channel video installation.

The opera Galileo is nominated in three categories

Materials published by the Conversazioni 2017 festival in the Italian city of Vicenza, where Octavia. Trepanation was performed in early October on the stage of the legendary Olimpico theatre.

Photos from the theatricalized discussion, New World: Market of Fears. Participants included Boris Yukhananov and German journalist and political scientist Christoph Twickel. Moderated by Konstantin Bogomolov.

Performances of an opera by Boris Yukhananov and Dmitri Kourliandski in Italy