25 April 2020
The Stanislavsky Electrotheatre continues it's program of streaming theatre performances. On 27 April — 2 May, you can watch three compositions of The Golden Ass project.
7 April 2020
The Stanislavsky Electrotheatre continues it's program of streaming theatre performances, and lectures of the School of Contemporary Spectators and Listeners. The new contingent opens with Heiner Goebbels Week, which will offer archival footage of meetings and conversations with the director, as well as the presentation of his book The Aesthetics of Absence, the installation Fading Apocalypse, and his production, Max Black, or, 62 Ways of Supporting the Head with a Hand. In the last two weeks of April, we will offer streams of Boris Yukhananov’s multi-part performances — The Blue Bird and The Golden Ass. Streaming will take place on the Afisha website, the Culture.ru portal and VKontakte on the theatre’s page.
24 December 2017
If there were a backstage in performances of The Golden Ass, we would call this series of photos by Luchinel Ainuriel Backstage at The Golden Ass. But the whole point of the Open-circuited Workspace is that it is open, which blurs such boundaries as “backstage.” Here you will find photographs of compositions, modules, discussions, actors and, of course, "consumer contributors,” that is, spectators.
8 August 2017
As they summed up the past season, critics are naming the projects that they feel are the most outstanding. In an article on Colta.ru the Electrotheatre is named seven times in regards to Boris Yukhananov’s new prossecual project The Golden Ass, the premiere of the Octavia. Trepanation opera, and the opening of the Theatre Yard.
RECENT ENTRIES
The Nonsensorics of DreemsThe Empire Strikes BackMIR ROME (WORLD ROME)New graphic artwork by Boris YukhananovThe Mad Angel Pinocchio. World premiere of a film triptych by Boris YukhananovA Theatrical Tower of BabelBoris Yukhananov: “Dostoevsky exists in culture as a mirage”Catabasis. Demons Premieres at the Cottbus City Theatre in GermanyCatabasis: Demons at the NET FestivalTheatre as Landscape: Boris Yukhananov’s Pinomythology
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