30 May 2019
The new issue of the international magazine The Scenographer, an in-depth examination of Boris Yukhananov's work over the years, has gone on sale. It may be purchased both in print and in digital versions.
1 February 2018
The Online Theatre Magazine by the UTE
By Herwig Lewy
The bassline of the day remains unsaid: United in diversity. Artistic directors of UTE theatres came all the way from Athens, Bucharest, Luxembourg, Moscow, Sofia and Vienna to the Yugoslav Drama Theatre, Belgrade, on 17 September 2017. After a first conference in Milan last year, the focus of this exchange on different theatre structures was on Eastern and South Eastern Europe. For the first time, Boris Yukhananov from the Stanislavsky Electrotheatre in Moscow also attended. Meeting the newest member of the UTE.
8 August 2017
As they summed up the past season, critics are naming the projects that they feel are the most outstanding. In an article on Colta.ru the Electrotheatre is named seven times in regards to Boris Yukhananov’s new prossecual project The Golden Ass, the premiere of the Octavia. Trepanation opera, and the opening of the Theatre Yard.
RECENT ENTRIES
Assays in Non-adaptive TheatreDmitri Kourliandski: “Composing Music Means Composing What Music is Every Time”The July issue of The Scenographer is devoted to the work of Boris YukhananovThe Garden as photographed by Ken ReynoldsFading Apocalypse at the Institute of Liberal Arts and SciencesExhibit of Graphics for DrillaliansJohn Freedman in The Scenographer magazineThe creators of PinocchioThe Stanislavsky Electrotheatre announces its plans for the 2018/2019 seasonDmitri Kourliandski on Orphic Games