17 March 2019
Boris Yukhananov and composer Dmitri Kourliandski met with students of the Institute of Liberal Arts and Sciences of the Moscow International University, where they talked about the principles on which work at the Stanislavsky Electrotheatre is based — new processualism and the open-circuited work space. They also presented Fading Apocalypse, an installation devoted to reflections on the role of the director, and how art is possible in the modern world.
5 November 2017
Fading Apocalypse, a new exhibit at the Stanislavsky Electrotheatre, will run from November 11 to 30 as part of the NET Festival. This project by Boris Yukhananov and Yelena Koptyaeva is a three-channel video installation.
RECENT ENTRIES
Premiere of Pinocchio, a diptychInternational Theatre Institute Journal on PinocchioInternational Co-Production ConferenceAssays in Non-adaptive TheatreDmitri Kourliandski: “Composing Music Means Composing What Music is Every Time”The July issue of The Scenographer is devoted to the work of Boris YukhananovThe Garden as photographed by Ken ReynoldsFading Apocalypse at the Institute of Liberal Arts and SciencesExhibit of Graphics for DrillaliansJohn Freedman in The Scenographer magazine
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