17 March 2019
Boris Yukhananov and composer Dmitri Kourliandski met with students of the Institute of Liberal Arts and Sciences of the Moscow International University, where they talked about the principles on which work at the Stanislavsky Electrotheatre is based — new processualism and the open-circuited work space. They also presented Fading Apocalypse, an installation devoted to reflections on the role of the director, and how art is possible in the modern world.
5 November 2017
Fading Apocalypse, a new exhibit at the Stanislavsky Electrotheatre, will run from November 11 to 30 as part of the NET Festival. This project by Boris Yukhananov and Yelena Koptyaeva is a three-channel video installation.
RECENT ENTRIES
Boris Yukhananov: “Dostoevsky exists in culture as a mirage”Catabasis. Demons Premieres at the Cottbus City Theatre in GermanyCatabasis: Demons at the NET FestivalTheatre as Landscape: Boris Yukhananov’s PinomythologyKen Reynolds, 1938–2021Winners of Golden Mask AwardsA Bird of HappinessIn Memory of Vladimir KorenevPerformance of the opera Octavia. Trepanation at the Interferences FestivalOctavia. Trepanation wins the Grand Prix of the Moscow Art Prize
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