17 March 2019
Boris Yukhananov and composer Dmitri Kourliandski met with students of the Institute of Liberal Arts and Sciences of the Moscow International University, where they talked about the principles on which work at the Stanislavsky Electrotheatre is based — new processualism and the open-circuited work space. They also presented Fading Apocalypse, an installation devoted to reflections on the role of the director, and how art is possible in the modern world.
5 November 2017
Fading Apocalypse, a new exhibit at the Stanislavsky Electrotheatre, will run from November 11 to 30 as part of the NET Festival. This project by Boris Yukhananov and Yelena Koptyaeva is a three-channel video installation.
RECENT ENTRIES
Octavia. Trepanation wins the Grand Prix of the Moscow Art PrizeThe shortlist for the Golden Mask awards has been announced. The Stanislavsky Electrotheatre has received 22 nominationsSession Three of MIR-6 BeginsCatabasis. Demons in GermanyBoris Yukhananov's Suitcases, an installation at CosmoscowCritic Vadim Rutkovsky on the Theatre of Boris YukhananovJohn Freedman and Noah Birksted-Breen on Stanislavsky ElectrotheatrePhotohistory : The ObserverThe International Online Theatre Festival. Octavia. Trepanation and The Constant PrincipleThe Cinema of Boris Yukhananov: We Gaze into the Past as if it Were the Present