22 November 2021
The Dostoevsky and Theatre conference, curated by Polka, was held in May 2021 in the New Space of the Theater of Nations as part of the Golden Mask festival. Honoring the 200th anniversary of Dostoevsky's birth, we now publish a conversation between Yury Saprykin and Boris Yukhananov: the director spoke about his big Demons project, which he mounted in the German city of Cottbus. In this conversation Yukhananov tells why a new reading of Dostoevsky is necessary and inevitable today, how to separate his dialogues from his narrative, how to look at Demons through the prism of an object-oriented ontology, and why his own project required a neural network.
RECENT ENTRIES
The Nonsensorics of DreemsThe Empire Strikes BackMIR ROME (WORLD ROME)New graphic artwork by Boris YukhananovThe Mad Angel Pinocchio. World premiere of a film triptych by Boris YukhananovA Theatrical Tower of BabelBoris Yukhananov: “Dostoevsky exists in culture as a mirage”Catabasis. Demons Premieres at the Cottbus City Theatre in GermanyCatabasis: Demons at the NET FestivalTheatre as Landscape: Boris Yukhananov’s Pinomythology
ARCHIVE
2022
2021
2020
2019
2018