19 June 2020
Photo by Andrei Bezukladnikov
In this article, published in Vestnik Evropy (Messenger of Europe) magazine, Vadim Rutkovsky reviews a large swath of Boris Yukhananov’s work, from the 1970s in Voronezh to his latest premieres in Moscow.
9 June 2020
Critic, translator and Supervisor of English at the Stanislavsky Electrotheatre, John Freedman, in conversation with Noah Birksted-Breen (University of Oxford) on how the Stanislavsky Electrotheatre became one of the most influential theatres in Europe. Recorded 6 May 2020 for The Theatre Times International Online Theatre Festival.
RECENT ENTRIES
Catabasis. Demons Premieres at the Cottbus City Theatre in GermanyCatabasis: Demons at the NET FestivalTheatre as Landscape: Boris Yukhananov’s PinomythologyKen Reynolds, 1938–2021Winners of Golden Mask AwardsA Bird of HappinessIn Memory of Vladimir KorenevPerformance of the opera Octavia. Trepanation at the Interferences FestivalOctavia. Trepanation wins the Grand Prix of the Moscow Art PrizeThe shortlist for the Golden Mask awards has been announced. The Stanislavsky Electrotheatre has received 22 nominations