19 June 2020
Photo by Andrei Bezukladnikov
In this article, published in Vestnik Evropy (Messenger of Europe) magazine, Vadim Rutkovsky reviews a large swath of Boris Yukhananov’s work, from the 1970s in Voronezh to his latest premieres in Moscow.
9 June 2020
Critic, translator and Supervisor of English at the Stanislavsky Electrotheatre, John Freedman, in conversation with Noah Birksted-Breen (University of Oxford) on how the Stanislavsky Electrotheatre became one of the most influential theatres in Europe. Recorded 6 May 2020 for The Theatre Times International Online Theatre Festival.
RECENT ENTRIES
Critic Vadim Rutkovsky on the Theatre of Boris YukhananovJohn Freedman and Noah Birksted-Breen on Stanislavsky ElectrotheatrePhotohistory : The ObserverThe International Online Theatre Festival. Octavia. Trepanation and The Constant PrincipleThe Cinema of Boris Yukhananov: We Gaze into the Past as if it Were the PresentThe Golden Ass WeekStanislavsky Electrotheatre Hosts Online Streaming of its Productions (with English subtitles)Boris Yukhananov on pandemic and isolationPremiere of Pinocchio, a diptychInternational Theatre Institute Journal on Pinocchio