Boris Yukhananov’s poem, The Nonsensorics of Dreems, comprises a single whole in the series, “The Flight of Letters from Tel Aviv to Jerusalem,” expressed in the genre of photographic painting. The author believes the art of photography is not a reflection or documentation, but is an acceptance and manifestation, and endows poetry with the same properties: “I accepted and revealed this series of photographs and this poem one year in the summer. They became one... Vers libre possesses a special spirit — liberator, escort, and verse, under whose supervision and influence the ghostly corporeality of subjective reality, not subject to limitation, is transformed step-by-step into text.”

The book was first published as text printed on 35 numbered prints in the photo exhibit, “The Flight of Letters from Tel Aviv to Jerusalem,” on April 21, 2013, at the School of Dramatic Art in Moscow at the time of the premiere of Boris Yukhananov’s production The Constant Principle.

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